production of visual arts in Bolivia in recent years has become eclectic, not a trend that can be identified, in contrast with Doras homogenized global trends of this age, in which blunt existential concerns.
was working in a multicultural art relating, belonging, at the same time possess universal qualities, where a Frenchman, a Brazilian or German intellectually or emotionally may be interested in the work, find qualities that can flow in other contexts.
complex cultural fabric in which we operate shifts the need to have a national identity to bring awareness of many identities, and characteristics of this contemporary, without losing our characteristics, without losing their own characteristics and the desire to remain us themselves, individuals and authentic. Bolivian
creators are not likely to manifest itself through an intangible art, perhaps due to socioeconomic and cultural reasons. It is possible that one reason is the importance given to human relationships, that still retain group rituals and customs that deal with existential and transcendental values \u200b\u200bto small companies with strong family structures, customs physical contact, to feel that need for materiality.
In a paper entitled "Postmodernism in the heart of South America", Cecilia Bayá Botti (Bolivia). Text published in the book "Rosa-dos-Ventos" Posições e Na Contemporary Art Director. Fudanción Mercosul Biennial. 2005.
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